Archives for posts with tag: Aaron Taylor-Johnson

Grade B-

If you set aside the fact that our military cannot be duped so easily as to believe that the enemy on the radio is a U.S. soldier, you may find this movie very entertaining.

“The Wall” is about a sniper team (Aaron Taylor-Johnson as the spotter, and John Cena as the shooter) who are sent in to investigate the killings of a pipeline crew and their security force by a possible sniper.  Having watched the area for almost one full day, Cena decides the enemy is long gone, and takes a walk toward the killzone.  Cena is soon shot in the stomach, Johnson tries a rescue and gets shot himself; and Johnson takes cover behind one crumbling wall.  With Cena a possible KIA and Johnson’s radio broken from being shot, Johnson is stuck where he is.  If he makes a run for it, the sniper will kill him.  If Johnson stays put, he’ll either bleed out from his wound or die of thirst.  Making matters worse is that the enemy sniper is on the same frequency as Johnson’s and Cena’s radio headsets, setting up a tense, psych warfare that will test Johnson’s will to keep fighting.

My most memorable, movie moment of “The Wall” is the final scene that reveals what happened to the enemy sniper.

“The Wall” is a decent suspense/thriller that is undermined by the writer and director who chose to ignore realism in order to move forward with the story they wanted to tell.  But as I wrote earlier, if you choose to ease up on your critical thinking of the story, “The Wall” will be worthy of your time.

— M

When 2 giant creatures (called MUTO: Massive, Unidentified, Terrestrial Organism) lying dormant for years finally awaken to multiply and wreak some serious havoc on Earth, Godzilla emerges to fight his natural enemy and restore balance to the planet.

Sounds like a creature fest, right?  Not really.  “Godzilla” is kind of a throwback to the 1960s and 1970s Godzilla flicks, meaning the human element takes precedence over the monsters.  Don’t worry, there’s enough Godzilla and MUTOs to gawk over when you see these titans fight.

“Godzilla” stars Aaron Taylor-Johnson as a Navy officer who gets in the middle of the monster fight because he had to travel to Japan to deal with his father (played by Bryan Cranston) who is obsessed with the destruction of a nuclear reactor many years ago that killed his wife.  Cranston always believed that there were other forces at play, and the government was hiding what really happened, and he wants answers!

Well, Cranston gets his answers, and then some.   The reactor destruction was caused by a MUTO, creatures who feed on nuclear radiation, and emit powerful EMPs (electro-magnetic pulses) that destroy any electronic device that isn’t shielded from EMPs.   Bad news for the humans, as most of their heavy weapons use electronics, and the ones that don’t use electronics do little damage, if any, to the MUTOs.   Enter Godzilla, possibly the best ally the humans have; but the military sees Godzilla as a threat also, and plan to kill all three at once.

My most memorable, movie moment of “Godzilla” is the sequence when Johnson and his team do a HALO jump (High Altitude, Low Opening), above and into the middle of a fight between Godzilla and a MUTO.  The type of music used during this sequence made the jump horrifying and extremely intense.  This moment could have been a page out of Dante’s Inferno, or remnants of a fantastic nightmare.  It’s a great example of genius filmmaking.

The rest of the movie falls quite short of genius, but that’s okay, because “Godzilla” delivers on the entertainment level.  Yes, Maximus, I was entertained.

Oh, one last thing about some people complaining that there wasn’t enough Godzilla in “Godzilla.”  There is such a thing as overexposure.  Show the creature too much and the audience will lose its sense of shock, awe, and wonder.  Give them just enough, and leave them wanting more.



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