Archives for posts with tag: Jacob Tremblay

Grade C

A psychologist (played by Naomi Watts) caring for her catatonic teen, son (Charlie Heaton) who needs 24 hour care faces a snowstorm that can leave them cut off from the rest of the town for a few days.  That wouldn’t be so bad; but there is the possibility of a dead boy haunting Watts.  A boy whom she was treating for anger issues; a boy who may blame Watts for being sent away; a boy who may not have died.  As the storm approaches, Watts’ supernatural experiences become more terrifying (to the character, not so much to the audience).  Is she being tormented by the boy’s angry spirit, or is the boy still alive?  Or is Watts’ guilt over how she handled the boy’s case and how she treated Heaton prior to his accident finally overwhelmed her mind, causing her to lose her sanity a little at a time?

My most memorable, movie moment is the scene when Watts’ friend sees through the computer camera something that reveals what is really going on.

“Shut In” gets a low grade because the main character makes one stupid decision after another throughout most of the movie.  An example: she wants to get out of the house, but the doors and windows are nailed shut.  The windows are flimsy, so what would you do?  For Watts, instead of breaking a  window, she panics and runs around and decides to break a skylight.  If she’s not concerned with making all kinds of noise by breaking a skylight, why not just break one of the ground floor windows and get out in less than five seconds?

“Shut In” would have received a much, much lower grade had it not been for the twist in the third act.  I have to admit, the movie suckered me into thinking one way, and I was pleasantly surprised to find my thinking was erroneous.

My last criticisms of this movie are these: there were too many similarities to “The Shining” during the third act — if you watch this movie and have seen “The Shining,” you’ll see; and the creepiness factor of the bathroom scene (you’ll know which one) is so high it’ll make every woman cringe, unless you’re really, really kinky.

— M

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Grade A

Brie Larson plays a woman who was kidnapped by a man and kept in a small “Room” for seven years.   She is there with her five-year-old son (Jacob Tremblay), a product of her repeated rape.  To shield her son’s mind from the brutal truth of their situation, Larson tells Tremblay that there isn’t much of the world to see outside of their room.  The boy is told that outside, there is nothing but space; and that their captor — nicknamed Old Nick — is a guy who brings in things they need (clothes, food, toothpaste, etc.) by means of magic.

Shortly after the boy’s fifth birthday, Tremblay’s curiosity of the captor/rapist leads to violence against Larson at the hands of Old Nick.  The time has come for Larson to reveal their true situation to Tremblay in order to get him on board to make an escape attempt, but it is too much for the the five-year-old to process, and therefore he doesn’t accept it.  Crushed, Larson weeps with the thought of many more years of captivity and rape.  How long can this go on before Old Nick tires of them both and just leaves them in the room to die?  And then…Tremblay starts asking Larson about the world, and if what he sees on t.v. is real or fake.  The mother piques her son’s interest enough for him to want to take part in escaping their room.  A risky plan is hatched, one that can lead to both mother and son being killed if things go wrong.

One of my memorable, movie moments of “Room” is **SPOILER ALERT** the scene when Old Nick carries the supposedly dead body of Tremblay out of the room to bury in the woods.  Larson is left behind, her face a mix of emotions: so far her plan worked; but what if Old Nick becomes wise to the trick and kills her son; maybe the son will escape but not know how to send help to the mother, leaving Larson a bleak existence of living alone in the room for the rest of her life.

My most memorable, movie moment of “Room” is **SPOILER ALERT** the scene when Larson is asked by a reporter if it ever occurred to Larson to ask Old Nick to take her son to a hospital when he was a baby, so that he can be found and taken care of and be free.  Larson is stunned, and offers an explanation of her decision to keep Tremblay with her.  It is an understandable explanation, given her situation; but the reporter presses Larson, asking her if that was the best decision for her son’s welfare.  Of course, we know the answer is no; and judging from Larson’s face, she also comes to the same conclusion.

The first 1/3 of “Room” takes place inside a small shed where Larson and Tremblay are imprisoned.  That the audience can be riveted for 45 minutes with two characters — plus a third who shows up intermittently — in a setting smaller than the size of an average living room is a testament to the talents of the actors, director, writer and editor.  Short on money but loaded with quality and talent, “Room” deserves your time and attention.

— M

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