Archives for posts with tag: Jigsaw

Grade C-


Supposedly meant to be the last of the “Saw” movies, “Saw 3D: The Final Chapter” once again takes us into a gory and cringe inducing ride with the usual plot holes.  But a solid plot and fine acting isn’t what fans of this series are focusing on.  Outrageous traps and bloody deaths and more insight into the ever growing list of “Saw” characters are all that’s required.   And we get that in spades.

So, in this “chapter” of the series, Sean Patrick Flanery plays a Jigsaw trap survivor who earns the wrath of Jigsaw — or whomever is carrying on Jigsaw’s work — and finds himself in a series of elaborate traps that force him to make very difficult decisions and painful actions in order to save those he cares about.  Interwoven within this main plot are numerous subplots that try to tie up many of the loose threads in the previous movies.

My most memorable, movie moment of “Saw 3D: The Final Chapter” was the scene near the end when a major character is killed.  This character happened to be my favorite one of the series, so I was sorry to see this character get killed…and in a horrible way to boot.

There’s no sense in me saying adios to this movie franchise since there is another “Saw” movie after this.  And so the ride continues…

— M

Grade C-

The sixth movie of the “Saw” franchise has the usual ingredients that fans of the series enjoy: traps that lead to gory deaths that will make the audience cringe and probably laugh, rapid-fire cuts in editing, a fast pace, and the surprise twists at the end.  Although Jigsaw (played by Tobin Bell) is dead, he makes appearances through flashbacks and causes pain and suffering via his last wishes that is given to his wife and Costas Mandylor, who plays a dirty cop who continues the work of making people suffer and die for not appreciating their lives — apparently, being a smoker or a secretary to an insurance company is enough to put you in one of the traps.  As Mandylor carries on the brutal games, the F.B.I. comes close to revealing who the new Jigsaw is, forcing Mandylor’s hand to prevent this from happening.

My most memorable, movie moment of “Saw VI” is the scene when Shawnee Smith’s character is revealed to have some connection with what happened to Jigsaw’s unborn child — a connection that will lead to some of the crucial moments of this movie.

Making most of the victims in “Saw VI” health insurance workers was an interesting way to try to get the audience to get more emotionally involved in the story.  After all, isn’t it more fun to see characters you hate suffer?  Despite this and the extra revelations of how some major characters are connected with the others, this series is well past retirement age.  But as long as it is profitable, Hollywood will prop it up on walkers and an oxygen tank and put it to work again.

— M

Grade C +

For those who are Roman numeral challenged, “Saw V” is the fifth movie of the “Saw” series.  Mostly this movie is about one of Jigsaw’s proteges and how this person came to be just that.  It’s a somewhat interesting origin story; and of course, “Saw V” has the traps (half of which are a bit boring compared to the previous “Saw” movies), the cruel and bloody choices the victims have to make to “redeem” themselves, the frenetic editing, the fast pacing, and the lean sets.  What we no longer get are the clever, non-linear story-telling that gives us several twists and surprises in the end.

The shenanigans are also amped up in “Saw V.”  Many traps are huge, set pieces that would take an army of MIT grads with lots of disposable cash to set up.  But we are to believe two or three people (including a near-death cancer patient) did all this.  There is a limit to suspension of disbelief.  Also, there’s a difference between suspension of disbelief, and suspension of b.s.  The former is fairly easy for moviegoers to do; the latter…not so much.

My most memorable, movie moment of “Saw V” is the scene when two victims put their arms in traps that have buzzsaws so that enough blood can be drawn to release the locks and set them free.   Gruesome, cringeworthy, and a bit funny because both victims were making faces that looked like they were having orgasms.

This fifth installment of the “Saw” series continues the downward slide — regarding the quality of the script — that was started in “Saw IV,” a strong sign that maybe it’s time to put this baby to bed.

— M

Grade B –

“Saw IV” concentrates on two storylines: what truly motivated Jigsaw (played by Tobin Bell) into putting people into traps; and a cop (played by Lyriq Bent) being tested by Bell to see how far Bent’s obsession will go regarding Bent’s need to save everyone.  While the former is interesting and well played, the latter was forced, with Bent doing many things that were out of character despite the screenwriters trying to justify it with Bent’s emotional problems.

More bloody, heinous traps; more gruesome deaths of victims; more plot twists; more revelations; more mini cassettes with Bell’s altered voice; more frenetic editing and transitions that move the story along rapidly…all leading to more reasons for fans of this series to squirm and laugh and gasp and enjoy the morbid nature of these stories.

My most memorable, movie moment of “Saw IV” is the very detailed, disgusting, and fascinating autopsy scene.  Unless you have a very strong stomach, this is not the time to be eating your hot dogs or chips and salsa.

Four movies in, and the “Saw” movies still have lots of steam.  How far can it go before going stale?  I shall find out soon because I’ll be checking out part V.

— M

Grade B –

And the gore and traps and plot twists keep going in the “Saw” franchise with part III.  Tobin Bell and Shawnee Smith reprise their roles as Jigsaw and his ex-junkie understudy, respectively.  Bell is at death’s door, so he enlists the help of Smith to kidnap a doctor to help keep him alive as he plays his last game, which presumably is the testing of an emotionally broken man played by Angus Macfadyen.  So here we have multiple themes/storylines  happening, adding layers of depth that makes this — and previous “Saw” movies — a level up from the many rip-offs out there.

First we have the complex relationship between Bell and Smith…teacher-student, father-daughter, perhaps lovers depending on which side you focus on.  Then there is the Macfadyen story: a husband blinded by rage to the point he has mentally abandoned his family…will he sacrifice everything to feed his rage and vengeance, or can he forgive and start living again?  The doctor…can she snap out of her daze (induced by drugs and an unhappy marriage) to keep a maniac alive without proper medical equipment?  And of course, there are the plot twists and surprise ending.

My most memorable, movie moment of “Saw III” is the scene when a man’s head and limbs are held in independently twisting, vise-like devices.  The key to freedom is guarded by a shotgun, and as the seconds tick by, the man’s limbs are slowly turned until bones, ligaments, and tendons break and snap.  Ouch!

“Saw III” does have plot holes and inconsistencies, which I refer to as shenanigans; but the clever and gory traps/puzzles, fast pace, twists and surprises, and some thought-provoking themes more than compensate for said shenanigans.  For fans of this horror sub-genre, prepare to cringe, laugh, feel queasy, and have fun.

— M

Grade B

The second part of the “Saw” franchise, “Saw II” is surprisingly good because of the plot twists and masterful use of non-linear storytelling.  “Saw II” gives us a bigger set of victims, 7 stuck in a building filled with deadly traps and puzzles, plus 1 more “victim”: a cop (played by Donnie Wahlberg) who happens to be the father of one of the 7 victims.  Caught in serial killer Jigsaw’s (played by Tobin Bell) twisted plot, Wahlberg must do as Bell commands in order to have a chance at seeing his son alive again.  But can Wahlberg, a notoriously brutal cop, follow Bell’s rules and keep his cool long enough to ensure his son’s safe return?

My most memorable, movie moment of “Saw II” is the scene when Bell’s timer for his “game” counts down to zero, revealing a shocking secret, and proving that all “players” must follow his rules.

I am very impressed with “Saw II” as it goes above and beyond the typical “torture porn flick.”  But it does suffer from several shenanigans such as: police procedures in raiding Bell’s hideout; Bell allowed to stay in his hideout because of what cops see on video monitors, giving the bad guy the advantage of being in his home turf; and a lowly Detective with anger management issues is put in charge, further jeopardizing the entire case and potential victims with his numerous bad judgments and decisions.   Still, the good more than outweighs the bad, and “Saw II” is a superior example of this genre.

— M

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