Archives for posts with tag: Joel Edgerton

Grade C+

A family of three survives the apocalypse (some type of disease — and that’s really all the information the audience gets) in a large, boarded up house in the woods.  A stranger breaks in looking for water, and the father (played by Joel Edgerton) decides to trade water for some of the stranger’s food.  They apparently bond so well that the stranger and his wife and young child move in Edgerton’s house. For a while they all live happily like a hippie commune until an event brings the possibility of disease within the house, an event that is never fully explained and is one reason why this movie gets a low grade.  From this point on, some of the worst natures of people in times of crisis comes out, mostly from Edgerton; and this is what “It Comes At Night” is truly about, the monstrous nature of people that lie dormant, waiting for the right moment to emerge.

My most memorable, movie moment of “It Comes At Night” is the scene when **SPOILER ALERT** Edgerton is tracking a mother and her young son, finds them, aims his rifle at them and…

The extremely misleading title of “It Comes At Night” will frustrate many viewers because the title and trailers leads us to believe there is a monster out there stalking people at night, which is not the case.  The lack of info on how the disease is transmitted, and several plot holes will further aggravate the viewer, as is proven in the overwhelmingly negative reviews in so many outlets.  But I happen to like this movie’s study in human nature in times of disaster and the question it poses: what price will you pay for survival?

— M

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Jason Bateman and Rebecca Hall play a married couple who move in to a beautiful house in an upper class neighborhood, their hold on the American Dream firm and unshakeable…until Joel Edgerton (also the Writer/Director of “The Gift”) enters their lives.   Bateman and Edgerton, having known each other as teenagers going to the same school, make an awkward attempt to catch up during dinner at the Bateman/Hall house.  Edgerton, of course, arrives with a gift, and there is clearly an uneasiness between Edgerton and Bateman.   At the end of this dinner, Bateman hopes to never see Edgerton anymore, but Edgerton has other ideas, and keeps popping up at the house like a lonely, stray cat looking for scraps of food and some attention.

With each visit, Edgerton brings a gift for Bateman/Hall.  The gifts are at first welcomed; but as the relationship between Bateman and Edgerton sours, the gifts become menacing, culminating in the final gift which is the most damaging and shocking to Bateman’s life.

Second place for my memorable moments of this movie is the scene when Bateman confesses to Hall as to why Edgerton has a grudge against him.  That’s all I’ll say about this scene so as not to spoil it for those who haven’t seen the movie.

First place for my most memorable, movie moment of “The Gift” is the scene when Bateman and Hall are at Edgerton’s “home,” and Edgerton suddenly leaves for a few minutes.  Bateman starts making fun of Edgerton, sticking his hand down his pants and sticking out a finger through the zipper and pretending to be Edgerton, wanting to have creepy sex with Hall using his creepy pee pee.  Ha ha ha!  Bateman’s comedic talents came through with a vengeance in this scene.

“The Gift” is not your average suspense/thriller flick.  Edgerton the writer/director wisely restrains the story to keep it from becoming generic and predictable.   Some may find this boring — I didn’t.  It’s a well told story that slowly builds the suspense and offers modest surprises and twists that fans of this genre will enjoy.

— M

Intermission time

Intermission time

 

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