Archives for posts with tag: thriller

Grade B –

“Saw IV” concentrates on two storylines: what truly motivated Jigsaw (played by Tobin Bell) into putting people into traps; and a cop (played by Lyriq Bent) being tested by Bell to see how far Bent’s obsession will go regarding Bent’s need to save everyone.  While the former is interesting and well played, the latter was forced, with Bent doing many things that were out of character despite the screenwriters trying to justify it with Bent’s emotional problems.

More bloody, heinous traps; more gruesome deaths of victims; more plot twists; more revelations; more mini cassettes with Bell’s altered voice; more frenetic editing and transitions that move the story along rapidly…all leading to more reasons for fans of this series to squirm and laugh and gasp and enjoy the morbid nature of these stories.

My most memorable, movie moment of “Saw IV” is the very detailed, disgusting, and fascinating autopsy scene.  Unless you have a very strong stomach, this is not the time to be eating your hot dogs or chips and salsa.

Four movies in, and the “Saw” movies still have lots of steam.  How far can it go before going stale?  I shall find out soon because I’ll be checking out part V.

— M

Grade B+

Fresh off his indie hit, “The Visit,” writer/director/producer M. Night Shyamalan creates another mega indie hit, “Split.”  James McAvoy plays a seriously troubled man with about 24 different personalities.  Each personality vies for its time “out in the light,” but the more malevolent personalities have taken over, resulting in the kidnapping of three young ladies.

The police have no idea where the girls are, and it will be up to the girls to find a way out of their prison.  Time is quickly running out, because a new personality is coming out of McAvoy, an entity that supposedly has the power to alter McAvoy’s body into one that is monstrous.

My most memorable, movie moment of “Split” is the bonus scene after the end credits, revealing a tie-in with another Shyamalan movie that hints of what his next movie will be.

Shyamalan’s mojo is definitely back, helped by the superb acting of McAvoy and Anya Taylor-Joy, who plays one of the kidnapped girls.  I can’t wait to see Shyamalan’s next movie.

— M

Grade B +

From the mind of comedian Jordan Peele comes “Get Out,” a story of a black man (played by Daniel Kaluuya) who visits his white girlfriend’s (played by Allison Williams) family in the suburbs and slowly finds out that things are very, very off with her family and servants.

Everything is ok at first: the parents are all smiles and greet Kaluuya with hugs; the father mentions how he would have loved to vote for Obama a third time; the father using various slang to show he’s hip and down with the Negroes, etc.  Then Kaluuya notices the odd behavior of the black servants; the thinly veiled, racist remarks of Williams’ drunk brother; plus a weird dream of Kaluuya being hypnotized by Williams’ mother.  And this is just the start of Kaluuya’s long nightmare that will have him fighting for his sanity and life as the full secret of his girlfriend’s family is slowly unraveled.

My most memorable, movie moment is the scene when Kaluuya is told of the family secrets and the heinous plan of what is to be done to him.

“Get Out” is not just a very good suspense/thriller, it is also loaded with social commentary that are insightful, funny, and infuriating.  Examples: a black man’s worry of being caught in a rich, white neighborhood at night; the troubles that black men have to deal with when dating white women; white liberals who are constantly giving examples of how they are not bigots; the physical superiority of black men over white men; the mental superiority of white men over black men; and how trendy it is now to be black, as if the color of skin is some kind of accessory to flaunt.

The subject of race relations is a touchy one, and those who are overly sensitive may want to steer away from this movie.  Everyone else, jump in and watch the movie and have a laugh.  “Get Out” is, after all, a satire.

— M

Grade C +

The very first in a long and successful movie franchise, “Saw” has two extremely unfortunate guys (played by Cary Elwes and Leigh Whannell) chained to pipes in a large, disgusting bathroom.  From hazy memories and clues given to them in the room, they realize that they have been kidnapped by a serial killer named Jigsaw in order to play out a vicious, painful and bloody game in order to escape.  Should the two men refuse to play, there will be severe consequences.

My most memorable, movie moment of “Saw” is the scene when Elwes reaches his breaking point and uses a hacksaw to begin his escape.  Although cringeworthy, it is mild compared to what future “Saw” movies has in store.

“Saw” works because 1) it moves fast thanks to a tight script and frenetic editing that can be annoying most times; 2) there is the mystery of who the serial killer is; and 3) it offers the audience very interesting and sadistic ways to kill the victims.  Weaknesses of “Saw” are: 1) Elwes’ often melodramatic, soap opera-ish acting; and 2) Danny Glover’s cop character who makes one stupid move after another, making me wonder if he had a brain.  Taken as a whole, “Saw” is an entertaining movie for fans of so called “torture porn” horror movies.  Seeing the traps/puzzles alone is worth the price of admission.

— M

B –

Manny’s Movie Musings: “Firestarter” adapts Stephen King’s book of the same name, and stars Drew Barrymore playing the title role and David Keith as her protective father.  Both father and daughter have super powers (Barrymore can set almost anything on fire) due to a government experiment, and now they are hunted down for more experimentation and ultimate disposal.  My most memorable, movie moment of “Firestarter” is the scene when Barrymore walks out of a burning barn, ready to kill and burn everything and everyone she sees — a little girl with an adorable face but with the power of the devil.  Although “Firestarter” has the feel of a movie of the week and has several shenanigans (e.g., the bad guys make the laughably bad assumption that Keith has lost his powers and therefore doesn’t need that much supervision), overall it is very entertaining (mostly due to Barrymore’s adorable portrayal of her character), and the part when Barrymore goes off on the bad guys is very satisfying.

— M

C +

Nichole Bloom and Fabianne Therese play two high school students who fall in love with each other and decide to run away to NYC to escape their extremely horrible lives (i.e. they live in nice houses in nice, safe neighborhoods; have parents who provide for them and care for them (for the most part); go to school where the only bad thing that is shown is a shoving match between Bloom and a bully; and they are given the freedom to go out and stay out late).  Given these horrors that these two girls experience every day, it’s no wonder they seek the comforts of a big city.

Not being completely stupid, Bloom and Therese realize they need money to make their big escape come true.  And that’s where webcam sex comes in.  The money comes in slow but steady, but not fast enough for the teens.  So they decide to prostitute themselves for one really horny guy who can afford it.  And that’s where things go really bad really fast.  **SPOILER ALERT**The surprising thing is — and kudos to the screenwriters on this one specific thing — it’s mostly the girls’ fault that their situation quickly spirals out of control.

My most memorable, movie moment of “Teenage Cocktail” is the scene when the father of Bloom’s character finds out that his daughter does webcam sex for money.  He is shocked, of course; but when he has a chance to confront his daughter, he just shuts up and quietly goes out of his daughter’s room.  This dude needs to go out in the ocean and swim with the jellyfish, because he’s as spineless as they are.

“Teenage Cocktail” has the basic elements that could have turned the movie into a very compelling commentary on some of the dangerous situations teens can get themselves in.  But the script — which felt like it needed a few more drafts to get all the stupidity out — is the weak link of this project, bringing the movie down to the level of mediocrity.

— M

Grade B +

One of the best suspense/thriller movies from 2016, “Don’t Breathe” has three teens (Jane Levy playing the main character of the bunch) breaking into the home of a blind man (played by Stephen Lang) to steal a lot of cash that he supposedly has in the house.

It’s supposed to be an easy job for the teen burglars: Lang lives alone in a Detroit neighborhood where almost every house is abandoned (few witnesses); one of the teens has a master key for the burglar alarm that Lang uses; Lang is old, the teens are young and they outnumber him.  But once inside Lang’s home, the young thieves get much more than they planned for when Lang proves to be a very tough and vicious opponent who also harbors some very dark, nasty secrets.

My most memorable, movie moment is the scene when the burglars discover a hidden room in Lang’s basement that reveals a shocking secret.

“Don’t Breathe” has a few, minor shenanigans that most viewers will easily forgive because overall, the entire movie works very well.  It is very suspenseful, the pacing is fast, the acting is good, you’ll want to know what happens to each of the four characters, and there are a few surprises thrown in there that seasoned movie fans should be able to foresee.

— M

Grade C –

Manny’s Movie Musings: Two young sisters tough out a lengthy power outage in a house deep in the woods.  With supplies dwindling, people becoming more feral and desperate, the sisters must make a decision to either ride out the crisis in the relative safety of their home, or make a long, dangerous journey to a place rumored to have some semblance of civilization.   “Into The Forest” is saved from a failing grade had it not been for the great performances of Ellen Page and Evan Rachel Wood (playing the sisters); and the fine cinematography by Daniel Grant.  Many of the decisions the sisters make will just leave you going “huh, what the hell?”  For example: Wood dancing every day for months, using up so many calories, calories that cannot easily be replenished as their food supply is decreasing…instead of going into survival mode, she keeps practicing as if the world will be back to normal any day now, despite 4 or 6 months of no power.  Oh, well, not every movie can have a great script.  My most memorable, movie moment of “Into The Forest” is the scene when Wood, after a traumatic event, refuses to take the last aspirin, telling Page to “save it.”  Page insists Wood take the entire tablet, and Wood says she’ll just take half.  It’s a wonderful and painful scene of the love the sisters have for each other, and how much each is willing to sacrifice for the other.

— M

Grade B +

Based on a true story — in Hollywood speak, that means about 25% is true (and I’m being very generous here) —  “War Dogs” is about two young guys from Miami who sold weapons to the U.S. military despite having no business doing so.  Going after the smaller contracts that are peanuts to the Pentagon but worth hundreds of thousands to the young dudes (played by Jonah Hill and Miles Teller), their rocky, sometimes hilarious and dangerous foray into gun running bring riches and a feeling of invincibility, a combination that can be lethal.

Greed and more greed puts Hill and Teller into the dirtiest realms of their business, where they will be in the crosshairs of gangsters, the U.S. government, and each other.

My most memorable, movie moment is the scene when Hill is trying to buy weed from a bunch of thugs.  After paying, the thugs pretend not to know what Hill is talking about and refuse to give him his drugs.  Hill laughs, calmly walks to his car, removes a submachine-gun from his trunk, and fires off about a dozen rounds in full auto into the air, sending the thugs scurrying away like cockroaches!

“War Dogs” has the same feel as “Pain & Gain” and “The Wolf Of Wall Street.”  The pacing moderately fast, some of the scenes are over the top and outrageous, the tone constantly changes from comedic to serious to scary…overall it has a somewhat hazy, drug-induced, dream quality to it.  This would be a great movie for guys to watch while high on drugs or alcohol.

— M

Grade B

Two brothers (played by Chris Pine and Ben Foster) rob banks in order to make the payments on the family ranch that is about to be foreclosed by a bank.  They need to come up with a certain amount, and then they’ll be done and will no longer have to worry about money — the family ranch has been found to contain a tremendous amount of oil that would provide an income to the owners of about $50,000 a month.  Using multiple vehicles to do their illegal transfer of wealth, Pine and Foster attack the banks early in the morning to minimize resistance and witnesses.  But Foster, an ex-con, has a wild streak; and he may be the one to provide the mistake that a Texas Ranger (played by Jeff Bridges) is depending on to get an edge on apprehending the brothers.

My most memorable, movie moment of “Hell Or High Water” is the scene when Pine and Foster are being chased by armed civilians after the brothers robbed a bank — this takes place in Texas, by the way.  Sick of running, Foster stops his vehicle, grabs a fully automatic assault rifle, and just lights up the vigilantes.  It is an awesome display of firepower from just one rifle and one man who knows how to use it.

“Hell Or High Water” is a good drama/action/suspense movie that will have some people rooting for the bad guys.  The constant reminders of unemployment, billboards of “easy” loans and debt relief to those desperate for money, and of course, what we know of the government’s and big banks’ roles in the great financial collapse a few years ago…it’s easy to want Pine to get away with what he is attempting.  Foster’s character, on the other hand, is different animal.

**SPOILER ALERT** I would have given this movie higher marks, but the shenanigan of Pine getting away with everything he’s done is just too much to let go.  The story offers a detailed but unsatisfying explanation as to why Pine remains free at the end, and it just does not ring true.  With so much damage done, no way the law would allow this to be swept away and be happy to pin it all on Foster.

— M

Grade B –

Manny’s Movie Musings: based on the novel by Stephen King, “Cujo” is about a rabid Saint Bernard who terrorizes a mother (played by Dee Wallace) and her young son (played by Danny Pintauro).  Trapped in a small, Ford Pinto that doesn’t start, Wallace and Pintauro spend several agonizing days in the heat inside their car, unable to escape with Cujo just waiting for them nearby.  No cell phones, no neighbors…if Wallace doesn’t make a desperate attempt to flee or kill Cujo, she and her son will surely die in the car from heat exhaustion and dehydration.  My most memorable, movie moment of “Cujo” is the scene when Wallace has her car door open and trying to take care of Pintauro, and Cujo appears behind her and goes in for the kill.  Although “Cujo” feels at times like a made for tv movie (most of the director’s work is in tv), it is still a good horror/suspense movie that continues to be relevant today with all the reported dog attacks against humans.

— M

Grade B +

Manny’s Movie Musings:  Mexicans illegally crossing into the United States are hunted and killed by a sadistic American (played by Jeffrey Dean Morgan) and his bloodthirsty dog.   Equipped with a scoped, high-powered rifle, an off-road pickup truck, a well trained dog, and plenty of supplies, Morgan seems to be unstoppable in “Desierto”…until he goes up against two illegals played by Gael Garcia Bernal and Alondra Hidalgo.  Although the movie touches on some current topics in the U.S., “Desierto” is predominantly a story of a psycho taking out mostly innocent people.   My most memorable, movie moment of “Desierto” is **SPOILER ALERT** the scene when Morgan comes upon what Bernal did to his dog.  It was the only time I took pity on Morgan — as evil as Morgan was, he loved his dog; and I know what it’s like to see one’s four-legged friend suffer and die.

— M

Grade B

“The Bourne Legacy” is the 4th “Bourne” movie and the first one that doesn’t have Matt Damon, unless you count pictures of the actor shown in a few scenes for reference.  Taking over the leading role in this movie is Jeremey Renner, playing a super-secret spy working for a super-secret agency within the CIA.  Unfortunately for Renner, he is part of a spy program that produced Jason Bourne (Matt Damon); and since Damon has turned rogue, the CIA fears other agents of the program might also flip out and turn against their handlers.  The super spy programs are torn down, and the super agents are killed off…except for Renner, who barely manages an assassination attempt on his life.

Renner must now evade CIA assassins, which he is very adept at.  His biggest problem are the meds that he has to take on a regular basis so his body doesn’t break down.  This leads him to Rachel Weisz, a doctor whom he has had frequent contact with within the spy program — a doctor who knows too much and is also a target for termination.   Alone, they have no hope of survival — Renner needs his meds and Weisz needs someone to protect her from the assassins and get her “off the grid.”  But together, they might be able to come out of this nightmare alive.

“Legacy” is a good offshoot of the “Bourne” movies, almost as good as the previous three movies.  Where this movie falls short of its predecessors are: 1) the Jason Bourne character is much more likeable; and 2) “Legacy” doesn’t really take off re: intensity and action until about 30 minutes into the movie.

My most memorable, movie moment of “The Bourne Legacy” is the **SPOILER ALERT** scene when Weisz reveals to Renner what his meds do: they enhance his body and mind, essentially making him a superhuman.  This explains how Damon (as Bourne) and Renner can do the amazing things we see them do in these four movies, like beating the hell out of multiple enemies within a matter of seconds.

Fans of the “Bourne” movies will, of course, be disappointed in not having Damon reprise his role.  But this movie is a must-see for “Bourne” fans because it gives more backstory to Jason Bourne and the overall programs that he was tied with; and “Legacy” in and of itself is an entertaining, action flick.

— M

Grade B +

Manny’s Movie Musings: Taking place immediately after the end of “The Bourne Supremacy,” “The Bourne Ultimatum” once again stars Matt Damon as the ex-spy whom the CIA just can’t leave alone.   With the information Damon received in “Supremacy,” he sets out for the U.S. to find out more about who he is and how he came to be the way he is.  Some members of the upper management of the CIA aren’t so happy with Damon being alive and actively seeking information that could bring prison time to said members of CIA upper management, so a standing order to shoot on sight is greenlit on Damon.  But Damon does have two friends in the CIA, possibly giving him all the edge he needs to stay alive and finally unravel the mystery of how he came to be spy.  Director Paul Greengrass ups the ante in this third “Bourne” movie, giving us a faster pacing, more intensity, longer action set pieces, and bigger stakes.  This was a good “end” to the series…if this was truly the end — we know now there were more to come.  My most memorable, movie moment of “The Bourne Ultimatum” is Damon’s fight scene with an assassin named Desh.  As with previous “Bourne” movies, the fights are long, raw and savage, with Damon using household objects to fight and kill his opponents.

— M

Grade B

Manny’s Movie Musings: Matt Damon returns for the second of the “Bourne” movies in “The Bourne Supremacy.”   Living in India with his girlfriend (played by Franka Potente), Damon’s worst fears comes true when he is pursued by a secret agent (Karl Urban).   Believing it is the CIA out to kill him, Damon takes the fight to them, unaware that Urban works for a rich, Russian businessman who wants Damon dead to tie up loose ends that began in the first movie.  Complicating matters is that Urban has framed Damon for the deaths of a few CIA agents.  With two groups out to kill him, Damon not only has to fight to stay alive, he has to figure out why he is being targeted for termination and by who.  Although “Supremacy” has a new director, the feel of the first movie carries over to this one — in other words, if you liked “Identity,” you will like “Supremacy.”  Fast pacing, frenetic action, a likeable hero, and a new revelation of Damon’s past all lead to a very entertaining movie.   My most memorable, movie moment of “The Bourne Supremacy” is the scene when Damon fights another Treadstone agent.   The fight is raw, brutal, and nasty — something “Bourne” fans have come to expect.

— M

Grade B

Manny’s Movie Musings: Matt Damon plays Jason Bourne, a highly trained, U.S. spy whose wounded body is found floating in an ocean by a fishing boat.  With no memory of who he is and what happened to him, he has to piece together how he came to be shot in the back and left for dead; and most importantly, who and what he is.  But Damon must do it fast, as time is running out and the ones he worked for are sending assassins to find him.  “The Bourne Identity” is  top-notch spy movie, filled with action, suspense, and a mystery that is slowly explained as the movie goes on.  Matt Damon is well suited for the role, and with the help of fancy editing, he comes off as a martial arts expert who can quickly dispatch multiple foes in a few seconds.   The movie moves along very fast, making the near two hour running time feel like it’s thirty minutes shorter than it is.  Fast pacing and a likeable hero (Damon) are two big strengths of this movie that fans of spy/thriller/suspense movies should not miss.  My most memorable, movie moment of “The Bourne Identity” is the scene when Damon evades the police with an original Mini car!   Hey, it’s not the car, it’s the driver that counts.

— M

Grade A

Director Walter Hill’s gritty movie about NYC gangs in the 1970s stands the test of time, with each new generation of movie lovers being introduced to and enjoying this cult, classic hit.

On a hot, summer, NYC night, the most powerful gang leader, Cyrus, organizes a meeting among the hundreds of street gangs of NYC.  The Warriors, coming in from Coney Island, Brooklyn, is one of the gangs attending.   During Cyrus’ speech on organizing the gangs to take over NYC, he is shot and killed by the leader of the Rogues gang (played by David Patrick Kelly).  Kelly shifts the blame to the Warriors, and now every gang is after them, as well as the NYPD.

Michael Beck (playing the leader of The Warriors) must lead his small group from The Bronx all the way to Coney Island, fighting their way neighborhood by neighborhood.   The odds are heavily against The Warriors, with 100,000 “boppers” and about 20,000 cops looking to take them out any way they can.  The Warriors consider themselves to be the best, and tonight, they will have to prove it.

My most memorable, movie moment of “The Warriors” is the scene when four Warriors are being chased in Central Park by a gang called The Baseball Furies (guys dressed in the familiar pinstripes of The Yankees, but wearing face paint like the rock band KISS).  Beck and another Warrior veer off to the right, and the Furies continue after the other two Warriors.  Moments later, Beck and his companion appear behind the Furies to attack the enemy stragglers from behind.   It’s a great example of Beck’s strong, battlefield tactics that will give The Warriors a slim chance to get home.

For those too young to remember what NYC looked like decades ago, this is an eye opener.  “The Warriors” is a snapshot of how savage the city that never sleeps was back in the 70s: graffiti everywhere, a gang in almost each neighborhood, the high crime rate, the overwhelmed police, and the grime that seems to seep out of the walls and streets.  But it is also a very engaging movie with many memorable characters, lots of action sequences, great pacing and direction, a charismatic leader (Beck) whom the audience will want to see find his way home, and a music score that enhances the frightening nature of the city streets at night despite its sometimes disco-rock infusion.

— M

C+

Manny’s Movie Musings: A deaf/mute woman (played by Amanda Adrienne) is kidnapped, tortured, raped, and left for dead by a gang of racist “desertbillies” in New Mexico.  At the point of death, the spirit of an ancient, Apache warrior inhabits her body, giving her the opportunity to exact bloody revenge upon those who defiled her; but she must act quickly, as her body is dead and is quickly rotting.  What could have been a very bad, B movie is saved by the great acting of Adrienne and a lot of action sequences.  My most memorable, movie moment of “Savaged” is the scene when Adrienne’s broken body tries to save her kidnapped boyfriend: the pickup truck of the bad guys take off with her b/f, and she cannot pursue them because of her injuries; she reaches out and screams…and it’s just heartbreaking.

— M

Grade C+

Manny’s Movie Musings: a quirky, mystery/suspense/thriller/comedy that stars Morgana O’Reilly as a criminal under house arrest — her mom’s house!  Angry that she has to be in her estranged mother’s and stepfather’s old, creepy house, O’Reilly sulks and grunts, eats like a pig, drinks like a sailor, and contributes nothing to the family.  But as memories come back of a ghost that supposedly haunts the large house, O’Reilly starts to see and hear things that will make her a true believer.  Working with her parents and her parole officer, O’Reilly will try to solve the mystery of the ghost and what it wants from her.  My most memorable, movie moment of “Housebound”: O’Reilly sitting on a toilet peeing, and we hear her urine streaming into the toilet water.  She hears a noise…her peeing stops; noise stops…she continues to pee; another weird noise near the bathroom…she stops peeing; the weird noise disappears, and we hear her peeing again.  Toilet humor, literally!

— M

B+

A sci-fi/suspense/thriller that has so many twists and turns, it’ll keep you guessing at the truth all the way to the end.

Mary Elizabeth Winstead plays a woman who wakes up after a car accident only to find herself chained and cuffed to a pipe in a sparse room.  Her captor, creepily played by John Goodman, tells her that there was some kind of attack against the U.S., possibly by Russians, maybe terrorists, maybe Martians.  The air supposedly has been poisoned, and they would need to stay in his doomsday bunker for maybe a year or two for the poisons to dissipate.

Not being a moron, Winstead doubts what she is being told, and her face shows that she thinks she’s going to be a sex slave to this crazed, fat man, or worse, maybe she’s going to be in some type of “Saw” situation.  But then she meets another man — played by John Gallagher Jr. — who is also in the bunker.  Gallagher confirms to Winstead that he saw some type of flash in the air, and then he rushed to Goodman’s bunker and fought his way in so that he could survive.  But Winstead still has her doubts.  She has no idea who these two country boys are, and Goodman’s disturbing behavior — such as flipping out over the slightest thing — makes Winstead even more guarded.

Was there an attack that wiped out a good chunk of the U.S. and left the air poisoned?  Is Goodman lying so he can have a pretty woman stay in his bunker with his fat, creepy self?  Is Gallagher lying also, and possibly partners with Goodman to keep Winstead from leaving the bunker?

One thing Winstead will be sure of as time goes by: the threat inside the bunker is as dangerous as the real or imaginary threat outside.

One of my memorable moments of this movie is the scene when Winstead and Gallagher look at a photo of a girl who is supposed to be Goodman’s daughter.  I’ll leave it at that.

My most memorable, movie moment of “10 Cloverfield Lane” is the scene at the end when Winstead sees absolute proof of what is really going on.  Again, I’ll leave it at that.

“10 Cloverfield Lane” is a much better movie than I had hoped for.  It has a heroine who is not your typical, damsel in distress — Winstead’s character is mentally tough and very resourceful.  The movie is unpredictable, the tension remains high for the majority of the story, and the acting is top notch.

Yes, Maximus, I was surprised to be so entertained by this movie.

— M

Grade A

A tale of the future when society breaks down after a natural resource is depleted.  Food becomes scarce, the population rapidly diminishes, and those few who survive live a bleak existence where everything has to be fought for.

Martin McCann plays a man living alone in a small cabin in a forest.  He has a little garden that provides enough food for one person, a double-barreled shotgun with only two shells, and empty cans attached to a string as an intruder alarm.  Wake up, wash, garden, chop wood, walk the perimeter, cook, eat, sleep, repeat…until one day, when two women (Mia Goth and Olwen Fouere, playing daughter and mother, respectively) come upon his cabin asking for food.  The women try to barter jewelry and pumpkin seeds for food, but McCann refuses.  Fouere offers Goth for sex, and McCann accepts.

A very uneasy and temporary truce is struck between McCann and the women who want to stay in return for helping with the garden and Goth continuing to have sex with McCann; but even with the extra help, there still won’t be enough food for three people.  Using all her skills, Goth convinces McCann to let her and her mom stay a bit longer.  As McCann lets his guard down a little, Goth and Fouere plot to disarm and kill their host, but the mother/daughter  forget that there are other threats in the forest, both tangible and intangible.

My most memorable, movie moment of “The Survivalist” is the scene when McCann is about to urinate on soil to fertilize it; but instead he fixates on a picture of a woman and starts masturbating!

The scene mentioned above is the only funny part of the movie, which is dark, depressing, and surprisingly a bit hopeful.  “The Survivalist” is a rarity in the movie business: a very low-budget, post-apocalyptic movie that packs a hell of an emotional punch that you will feel long after the end credits stop.

— M

Grade A

Brie Larson plays a woman who was kidnapped by a man and kept in a small “Room” for seven years.   She is there with her five-year-old son (Jacob Tremblay), a product of her repeated rape.  To shield her son’s mind from the brutal truth of their situation, Larson tells Tremblay that there isn’t much of the world to see outside of their room.  The boy is told that outside, there is nothing but space; and that their captor — nicknamed Old Nick — is a guy who brings in things they need (clothes, food, toothpaste, etc.) by means of magic.

Shortly after the boy’s fifth birthday, Tremblay’s curiosity of the captor/rapist leads to violence against Larson at the hands of Old Nick.  The time has come for Larson to reveal their true situation to Tremblay in order to get him on board to make an escape attempt, but it is too much for the the five-year-old to process, and therefore he doesn’t accept it.  Crushed, Larson weeps with the thought of many more years of captivity and rape.  How long can this go on before Old Nick tires of them both and just leaves them in the room to die?  And then…Tremblay starts asking Larson about the world, and if what he sees on t.v. is real or fake.  The mother piques her son’s interest enough for him to want to take part in escaping their room.  A risky plan is hatched, one that can lead to both mother and son being killed if things go wrong.

One of my memorable, movie moments of “Room” is **SPOILER ALERT** the scene when Old Nick carries the supposedly dead body of Tremblay out of the room to bury in the woods.  Larson is left behind, her face a mix of emotions: so far her plan worked; but what if Old Nick becomes wise to the trick and kills her son; maybe the son will escape but not know how to send help to the mother, leaving Larson a bleak existence of living alone in the room for the rest of her life.

My most memorable, movie moment of “Room” is **SPOILER ALERT** the scene when Larson is asked by a reporter if it ever occurred to Larson to ask Old Nick to take her son to a hospital when he was a baby, so that he can be found and taken care of and be free.  Larson is stunned, and offers an explanation of her decision to keep Tremblay with her.  It is an understandable explanation, given her situation; but the reporter presses Larson, asking her if that was the best decision for her son’s welfare.  Of course, we know the answer is no; and judging from Larson’s face, she also comes to the same conclusion.

The first 1/3 of “Room” takes place inside a small shed where Larson and Tremblay are imprisoned.  That the audience can be riveted for 45 minutes with two characters — plus a third who shows up intermittently — in a setting smaller than the size of an average living room is a testament to the talents of the actors, director, writer and editor.  Short on money but loaded with quality and talent, “Room” deserves your time and attention.

— M

“Sicario” takes us into the brutal world of Mexican drug cartels, their infiltration into the United States, and America’s response to this threat, legal and illegal.   This is a dark, twisted version of “Alice In Wonderland,” and could be titled “Alice The FBI Agent in Cartel Land.”

Emily Blunt is “Alice The FBI Agent” who volunteers to work with an inter-agency team to bring down high-ranking members of a Mexican, drug cartel that have set up shop in the U.S.  Josh Brolin is the secretive “Cheshire Cat” who leads the team — he grins and smirks often, but behind those smiling eyes is a cold-blooded soldier who will carry out his orders any way he can.  More shadowy than Brolin is Benicio Del Toro, the “Mad Hatter” who has an “appointment” with the leader of the Mexican cartel so he can fulfill his own agenda, whatever that may be.  Blunt can, at any time, remove herself from the inter-agency team and go home; but she wants to know how deep the rabbit hole goes and what is at the end of it despite the risks to her career, her sanity, and her life.

At the top of the list for my memorable, movie moments of “Sicario” is the part when Blunt and her teammates have an upper-echelon cartel member in their possession and they are on their way back to the U.S. border.  Traffic at the checkpoint is a nightmare and the area has become a parking lot.  The Americans know they are in a good spot for an ambush by the drug dealers, and within seconds they spot two cars loaded with serious looking Mexicans carrying an assortment of guns.

Taking the number two spot for my memorable moments of this movie is the scene when Blunt’s team crossed over into Mexico in their black SUVs, and moments later they are escorted by a dozen Mexican police vehicles manned by fully armored cops carrying heavy weapons.  Blunt takes all this in with widened eyes which grow more fearful when she spots naked, headless bodies of men hanging from a trestle, presumably victims of the cartels.

It’s rare for a movie to keep up a high level of intensity through most of the story, but “Sicario” does just that.  There are many “critics” out there who are secretly paid by movie studios to use phrases like “grabs you and won’t let go until the end” in their reviews.  Well, “Sicario” does just that: it grabs your attention from the first shot to the last.  I was very entertained, Maximus!

— M

After directing/writing movies in the past ten years that left the audience wondering what happened to Shyamalan’s talent for filmmaking, he is back in good form with “The Visit,” which he wrote/directed.  Working with a low budget and virtually unknown actors, Night has crafted a good horror/suspense movie starring Olivia DeJonge and Ed Oxenbould as siblings who visit their grandparents for the first time and quickly realize their grandparents are very, very odd.

Each grandparent, separately, explains the strange behavior of the other grandparent; and for the first two or three days the children accept it without too much of a problem.  But as more days pass, the grandparents exhibit more terrifying behavior which will force the children to fight for their lives on the last night of their visit.

“The Visit” is shown from the point of view of the cameras the children bring to document their first meeting with their grandparents.  I usually find this style annoying as it tends to have jittery camerawork plus it usually contains the shenanigan of the character still holding on to the camera and shooting footage even though his life is in imminent danger (the explanation typically given is “this is important, I need to keep shooting” is b.s.).  Thankfully, “The Visit” had limited, jittery camerawork, but it still had the shenanigan I just mentioned.   Despite these two drawbacks, I was impressed with Shyamalan’s work.  “The Visit” had the cheap scares as well as genuine ones that will dry your mouth and have you holding your breath as you wait for what happens next.  This is a movie I will happily watch again with someone who hasn’t seen it yet.

And now, kiddies, it’s time for my most memorable, movie moments of “The Visit.”  #3 goes to the night footage of the camera set in the living room, and we see the grandmother walking around erratically, slamming doors and then disappearing from view, only to show up later to do something shocking (that got me to uncontrollably curse out…and my little nieces were in the same room with me watching this movie).  #2 goes to the scene when the grandfather shoves a diaper full of his feces into the face of Oxenbould.  #1 is the scene that reveals why the grandparents are the way they are.  This reveal is ruined because of the shenanigan of the children staying in the house (it was daytime when the revelation occurred, and it was nighttime when the final confrontations happened — so in all that time the kids never had a chance to get out of the house?).  You watch and tell me if I’m being too harsh or if I made the right call.

— M

Jason Bateman and Rebecca Hall play a married couple who move in to a beautiful house in an upper class neighborhood, their hold on the American Dream firm and unshakeable…until Joel Edgerton (also the Writer/Director of “The Gift”) enters their lives.   Bateman and Edgerton, having known each other as teenagers going to the same school, make an awkward attempt to catch up during dinner at the Bateman/Hall house.  Edgerton, of course, arrives with a gift, and there is clearly an uneasiness between Edgerton and Bateman.   At the end of this dinner, Bateman hopes to never see Edgerton anymore, but Edgerton has other ideas, and keeps popping up at the house like a lonely, stray cat looking for scraps of food and some attention.

With each visit, Edgerton brings a gift for Bateman/Hall.  The gifts are at first welcomed; but as the relationship between Bateman and Edgerton sours, the gifts become menacing, culminating in the final gift which is the most damaging and shocking to Bateman’s life.

Second place for my memorable moments of this movie is the scene when Bateman confesses to Hall as to why Edgerton has a grudge against him.  That’s all I’ll say about this scene so as not to spoil it for those who haven’t seen the movie.

First place for my most memorable, movie moment of “The Gift” is the scene when Bateman and Hall are at Edgerton’s “home,” and Edgerton suddenly leaves for a few minutes.  Bateman starts making fun of Edgerton, sticking his hand down his pants and sticking out a finger through the zipper and pretending to be Edgerton, wanting to have creepy sex with Hall using his creepy pee pee.  Ha ha ha!  Bateman’s comedic talents came through with a vengeance in this scene.

“The Gift” is not your average suspense/thriller flick.  Edgerton the writer/director wisely restrains the story to keep it from becoming generic and predictable.   Some may find this boring — I didn’t.  It’s a well told story that slowly builds the suspense and offers modest surprises and twists that fans of this genre will enjoy.

— M

Intermission time

Intermission time

 

A husband (Ben Affleck) in a failing marriage leaves his home one morning and comes back to a house that shows signs of a struggle…and no wife (Rosamund Pike).  Of course, in cases such as this, the husband is always a suspect.  Affleck is given the benefit of the doubt — for the most part — until one thing after another comes to light that keeps pointing the finger at him.  Time is quickly running out for Affleck, who insists he had nothing to do with Pike’s disappearance; but his neighbors, his in-laws, the reporters, and the police are already lighting their torches and sharpening their pitchforks.

We see two sides of the story.  Affleck’s side, where he is the caring husband who would never harm Pike; and Pike’s side — through flashbacks and her diary — where she is a victim of an abusive husband who wants out of his marriage in any way.  It’s good fun trying to figure out who is telling the truth; but the guessing game ends too quickly when halfway through the movie it is revealed what happened to Pike.

David Fincher does a great job directing “Gone Girl,” a study of a relationship that goes horribly wrong despite its romantic start.   Affleck does a good job portraying an average guy who is content to be average.  Neil Patrick Harris — NPH! — is great at playing the creepy, ex-lover of Pike.  But Pike steals the show as a complicated, creepy, highly intelligent woman who will do whatever is necessary to get what she wants.

Taking top honors for my most memorable, movie moment of “Gone Girl” is the scene when Pike has sex with NPH.   Shocking and graphic in more ways than you can imagine.

An honorable mention for my memorable moments of “Gone Girl” is *****SPOILER ALERT–do not read if you haven’t seen this movie****the scene when Pike comes back to Affleck, her clothes bloody, her wrists showing signs of being bound, reporters surrounding the couple; and Affleck whispers to Pike, “You f*$#ing bitch.”

“Gone Girl” does have its shenanigans, such as the scene when someone makes an anonymous call to the police about suspicious activity in Affleck’s sister’s woodshed.  Now, the call was made in another county, and it was done with a landline, and the police never bothered to track who made the call, or wondered how someone miles away could see suspicious activity in the woodshed?  At least have the caller press some buttons to hide the phone number.   Lazy screenwriting.

Even with the shenanigans, “Gone Girl” is a great suspense/thriller/mystery that had me hooked soon after the movie started.  People may complain that the mystery is solved too early in the movie; but what they don’t get is that “Gone Girl” is much more than a who done it flick.  As I stated, it’s about how a relationship starts, how things go off track, and what Affleck and Pike are willing to do to either sever the marriage or save it.

— M

 

Mark Wahlberg plays the title role in “The Gambler,” and his character is probably one of the most self-destructive that I’ve seen in movie history.  Wahlberg has a knack for winning early in whatever games he plays (usually blackjack or roulette), but he just doesn’t know when to quit; and that is what leads to his ever increasing problems, the biggest being Wahlberg owing large amounts to 3 different gangsters.  His solution to his problems?  Borrow more money from the same gangsters and hope to win his way out of the deep hole he put himself in.

I believe most viewers will not like Wahlberg’s character, as he is abrasive and puts the lives of those who care for him (his mother (Jessica Lange) and sometime girlfriend (Brie Larson)) in jeopardy because of his addiction.  But those who have ever had a monkey on their back will be more forgiving, as they know firsthand how destructive and hard to kick an addiction is.

However you size up Wahlberg, he will not bore you.  It’s like watching a runaway train that is doomed for a devastating wreck at some point.  Although “The Gambler” isn’t an action movie, it had my heart pumping like it was.  Scenes that had Wahlberg betting thousands of dollars — and in some cases, hundreds of thousands — had me feeling like I was there and I was the one making those huge, dangerous bets.  Oh, that excitement of either winning large or losing large, that’s one of the addictive qualities of gambling.

One of my memorable moments of this movie is the first gambling scene.  Wahlberg comes in with ten thousand dollars, and bets it all on one hand of blackjack.  He wins, and lets it all ride on the next hand.  Win, repeat.  Cool as can be, as if he’s betting ten dollars.  Of course, no lucky streak lasts forever.

My most memorable, movie moment of “The Gambler” is the scene when Wahlberg reveals to Larson that if he can’t have it all, he’d rather die.  To be or not to be; all or nothing.  Of course, there is more to his behavior than what Wahlberg states.  He’s a degenerate gambler, therefore, even if he gets everything that he wants and needs, he still has that desire to gamble.  And how long before he loses it all and is right back where he started?

For those still struggling with their gambling habit: the only way to win at gambling is to not gamble at all.  Yes, I know, easier said than done.  Despite all the science out there about gamblers having different brain reactions to gambling; and gambling addiction is a disease…bottom line, we all have a choice.

— M

I had my doubts about “Captain America: The Winter Soldier” before the movie even came out.  Why?  Because I watched it’s predecessor, “Captain America: The First Avenger,” and found it unsatisfying.  Although the first movie had a lot of heart, and there were many things done right, too many of the combat scenes were corny, and that’s what killed it for me.  It reminded me of the 1980s “G.I. Joe” cartoons where the violence was done in such a way that you got the feeling that no character was truly hurt.  Sooooo…I was very surprised and happy to see that “…Winter Soldier” mostly got rid of the corny fight scenes and embraced the gritty, brutal nature of combat.

Also gone is the boy scout attitude of Captain America, played by Chris Evans.  The U.S. government, with the help of SHIELD, has created weapons that are supposed to fight our enemies and keep Americans safe; but Evans sees a great potential for abuse and the weapons being turned on those they were meant to protect.   As his trust in SHIELD deteriorates, Evans digs deeper and uncovers shocking secrets about SHIELD.  Evans’ discovery turns him into a fugitive, on the run from SHIELD who unleashes The Winter Soldier, a man who has the same fighting skills and powers as Evans.  Who is this Winter Soldier?  Well, that’s a surprise.

One of my memorable moments of this movie is the scene early in the first act when Evans drops into a ship that has been taken over by pirates.   Moving at a speed that is almost too fast for the human eye to catch up, Evans destroys the enemies in an almost savage way.  With some of his attacks, he clearly kills his enemies.  Other times, it is ambiguous whether he kills them or knocks them out/cripples them.  He is, after all, so powerful that he can easily break bones and rupture organs with one blow.  Whatever the fate of his enemies, the fights are more graphic than “…The First Avenger.”

Another memorable moment of “…The Winter Soldier” is the scene in the elevator where SHIELD soldiers are packed in with Evans.  Seeing signs that this is an ambush, Evans says to the large men, “Before we get started, does anyone want to get out?”  Haha!  I loved that!

My most memorable, movie moment of “Captain America: The Winter Soldier” has to be the sequence that shows Nick Fury (played by Samuel Jackson) being attacked by dozens of police officers using fully automatic rifles.  It was a lengthy assault that brings this movie to a higher level of intensity.

“…The Winter Soldier” is not just an action/adventure movie.  It also goes into the realm of suspense/thriller, and we can thank the writers for that.  Of course, the glue that holds all this together is the actor Chris Evans.  He is so well suited to the role of Captain America that I can’t think of anyone else who can play that superhero better than Evans can.

Be sure to watch the end credits because bonus footage is hidden there.

— M

In the not so distant future, Earth has another serious problem to add to its list of serious problems: something called “blight,” which destroys crops and changes the atmosphere.  Within 20 to 40 years, people will starve, and the few who are lucky enough to survive will suffocate.  Ouch.  That’s like the movie “Spartacus” where the slaves who survived the battles against the Roman empire were crucified.

Things aren’t hopeless for our fictional descendants in the movie “Interstellar,” because NASA has secretly developed a plan to send astronauts through a wormhole (a shortcut in space) to seek out habitable worlds.  3 signals have come back — signifying viable worlds — and NASA will need to send a team of astronauts to these signals to rescue the original astronauts and confirm that the new worlds can sustain human life.

Enter Matthew McConaughey, former NASA astronaut/pilot who is chosen to fly the rescue/confirmation team to their destinations.   It’s a job that gives him mixed emotions, as he loves flying and exploring; but he will have to leave his children with the strong possibility of never coming back.   McConaughey’s leaving is especially difficult for his daughter, played by Mackenzie Foy, an extremely talented, young actor.  Earth’s time of being a bounty to its inhabitants is fast dwindling, and McConaughey is going for the slim chance of saving the people of Earth, and thereby saving his family.

One of my memorable moments of this movie is the scene when McConaughey is having a parent teacher conference, and he is told by Foy’s teacher that Foy got into a fight with a student because they were making fun of her reading an old textbook about space exploration, especially the part about the Apollo missions — you know, the trips to the moon and landing on the moon.  It seems the current teachings believe the moon landing was all a scam.   You should see the face on McConaughey when a teacher told him of this!  His eyes were popping out and his neck veins were bulging, and I could tell he was exercising every bit of self-control not to smack the teacher into the past.

Another memorable, movie moment of “Interstellar” is the scene when McConaughey and his team lands on a planet with very shallow water.  At a great distance, they see what appears to be mountains.   But quickly, those “mountains” come closer, threatening to destroy the ship and the astronauts in a few minutes.

My most memorable, movie moment of “Interstellar” is the scene when McConaughey is saying goodbye to his crying, angry daughter.  Nothing McConaughey says can console her.  An intelligent girl, Foy quickly discerns from what her father says to her that he has no idea when and if he will come back from his mission.  With no more time to stay, McConaughey leaves his daughter as he found her.  This may be their last moment together, and they parted with anger and guilt.

Don’t let the nearly 3 hour running time of this movie keep you from watching it.  “Interstellar” is a very good, sci/fi movie with enough action sequences full of suspense in the second and third acts to keep you guessing and wanting to know how it all ends.  Great acting, directing, writing…the movie deserved more financial success.

Before I go, here’s a couple of interesting things: a) Matt Damon gained so much weight I didn’t recognize him during the first minute his character shows up; b) the shots of the exterior of spaceships while in space is silent, to add to the realism (I believe it’s because there is no air in space, and without air, sound cannot travel).

— M

Tom Hardy and James Gandolfini are cousins who work in a bar that is owned by vicious gangsters.  For the most part, the bar operates on the level; but sometimes, it is used as a drop bar, where illegally made money is stored overnight by gangsters.   One night, a pair of masked, armed robbers take the night’s drop of over 5 grand as Hardy and Gandolfini are closing shop; and the Chechen, gangster owner of the bar wants the thieves and the money they took.   The boss suspects that Gandolfini was in on the robbery; now Hardy and Gandolfini are in a bind to find “The Drop” that was stolen and prove their innocence to the mobster.

To make matters worse for Hardy, he finds and takes in an abused and discarded, pit bull puppy that he finds inside the trash can of a woman played by Noomi Rapace.   Rapace gives the puppy first aid, and teaches Hardy a little about raising a dog.  An uneasy friendship starts, and it slowly leads to an uneasy romance.  Topping off this side of the drama is a man who suddenly develops an interest in Hardy’s puppy; a man who makes overt and veiled threats to destroy the newly found happiness of Hardy.

I found myself liking Hardy’s character quickly.   He is soft-spoken, likes dogs, generous, stays out of trouble…but as the movie progresses, it is clear there is a lot more to this man than what I’ve described.  Sure, Gandolfini is a bigger star than Hardy, and “The Drop” is Gandolfini’s last movie; but Hardy is the star of the show, giving a restrained performance that sometimes comes off as bad acting, but in reality it is a crucial piece of storytelling that pays off in the latter part of the third act.

One memorable, movie moment of “The Drop” is the scene when the mobster boss visits the bar and shows Hardy and Gandolfini one of the boss’ victims — who is still alive — inside a van.  It’s a gruesome sight, and a hint as to what could happen to Hardy and Gandolfini if they had a part in the robbery.

My most memorable, movie moment of “The Drop” is the conversation Hardy had with Gandolfini about the new puppy, with Hardy going on about how enormous the responsibility is for taking care of the pup.  Gandolfini tells Hardy, “Well, it’s a dog.  It’s not like some long, lost, retarded relative shows up at your door in a wheelchair and a colostomy bag hanging out of his ass…says ‘I’m yours now, take care of me.'”   Ha ha!  Ha ha ha ha!   But seriously, I’m with Hardy on this one.  I had dogs before, and if you’re a good owner, you will have a lot of responsibility in properly caring for a dog.  On the other hand, if you’re a piece of crap of a human being, then owning a dog is a very simple matter: you leave it outside, chained, and give it food and water; and when the dog is no longer of any use to you, you throw the body in a dumpster somewhere.

Those who enjoy suspense/thriller/drama flicks should watch “The Drop” because it’s a fine example of those types of movies.  The third act of the movie really ramps up the tension, and you just know things are going to go badly for at least one person; but you don’t know for who, and how it will come about.

— M

 

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